Another Victim of Cancel Culture – Sarah Maria Zander Loses Her Place in Her Own Film World

The left-wing cultural scene has offered us yet another case of Cancel Culture – and quite a spectacular one at that: As announced on Thursday, the German actress Sarah Maria Sander has been isolated and excluded by a production company and a colleague from a lead role. And in a film that Sander herself wrote. The production is titled “Maria Ohm’s Death Wish”. The case is currently in court.

The reason for her removal, from Sander’s perspective, is her political statements. The 30-year-old cultural figure and former member of the left-wing Berlin People’s Scene has recently focused on active journalistic work, specifically since the Hamas attack on Israel on October 7, 2023. Afterward, the Jewish woman with Russian, Ukrainian, and Azerbaijani roots was shocked to realize that even in Germany a coalition of media, leftists, and Islamists was mobilizing against the Jewish state.

Sander defended not only Israel but also Merz

Increasingly, she expressed critical views and did not hesitate to speak out, even about her own “bubble,” the cultural scene. When, in the summer, more than 400 artists signed an open letter calling for a ban on arms sales to Israel, Sander spoke in a YouTube video about a moral bankruptcy:

What you want to sell here as conscience is nothing but self-quotation. It is courage without risk, without conviction.

Art and the cultural scene “represent nothing anymore”.

In October, left-wing voices protested Chancellor Friedrich Merz’s statements regarding the “image of the city”. Sander did not participate but specifically attacked the “white young women” who “have never experienced the consequences of imported misogyny, Muslim anti-Semitism, and violence in the context of Islamic radicalization, yet believe they must save Germany from the right-wing forces”.

A month earlier, she had warned that in Germany the word “far-right” was being used indiscriminately “to slander any deviation, while the woke elite of opinion exercise radical intolerance themselves”. It does not take much imagination to recognize that such statements are unlikely to be accepted in the cultural scene.

Her co-writer turns his back on her

According to Sander, the atmosphere in this particular case changed last November. At that moment, her producer suddenly asked her “almost casually” if she would like to adopt a pseudonym. A few days later, her co-writer Rainer Begoin called her. In other words, he expressed concerns “because of my political statements, my videos, my public opinion about Israel or about Friedrich Merz’s discussion of the image of the city”.

Specifically, Begoin expressed concern that film festivals would cancel their participation, their reputation would suffer damage, and the film would be “an economic total loss”. The cast and crew had already quit; the producer could not assemble a team because of Sander, he said. Eventually, the production company assigned the lead role originally meant for Sander to another actress.

Sander believes her rights have been violated. In an agreement between her, the co-writer, and the producer, she had been promised, according to what she stated, that she would play the lead role, have a say in the selection of actors, and that changes to the story could only be made with her consent. She rejects signing a cancellation agreement.

The court partly sides with Sander

Conversely, the actress filed a lawsuit at the Berlin Regional Court II to prohibit further filming. The defendant production company denied the allegations. They said that Sander can no longer take the role due to scheduling conflicts. Sander confirmed on Thursday that she also had three theater performances in January. However, this had been agreed upon beforehand, before filming, and had been declared unproblematic by the other side.

Nonetheless, the court rejected Sander’s request on a crucial point, as a court spokesperson confirmed to JUNGE FREIHEIT on Thursday. The reason? The fact that she is being deprived of the lead role does not constitute a “necessary balance” ground for removal, “because halting filming would significantly affect the rights of the co-writer”.

In any case, the court did not prohibit the continuation of filming by provisional injunction concerning another role. Here, those responsible changed the script without consulting Sander from a male to a female character. Sander had envisioned a male role to “critically address patriarchal power structures”, as the court spokesperson said. According to Bild, the production company intends to appeal, and Sander also insists on pursuing legal recourse.

“Outwardly, they talk a lot about diversity”

In Sander’s view, her case reveals a fundamental problem:

Colleagues who remain silent, colleagues who look away, friends who abandon you because you don’t fit into their moral climate. Because you don’t join their closed circle with your stance on Israel and your courage to address issues that don’t fit mainly within the flow of the left-wing cultural industry.

She states that, of course, other actors make political statements. However, they are against the CDU, against Merz, against Trump, and “pro-Palestine.” The problem is not politics; the problem is which politics, which position, and who expresses it.

Outwardly, they talk a lot about diversity, ethics, humanity, correcting every suggestion, every move, but when it concerns their own system, they throw everything out: justice, obligation, decency, humanity. Then ethics become a backdrop and power a method.