RUN: Uwe Boll’s New Film Shows Mass Migration as a Trap for All
German director Uwe Boll's film "Run" confronts the harsh realities of illegal African migration to Europe, sparking debate on societal impacts and integration challenges with unfiltered honesty.
Q: Why did you choose to tackle such a difficult subject as illegal immigration?
A: Because it needs to be said. “Run” is not a film that pampers its audience. It shows reality: the boats are dangerous, most migrants end up in camps immediately upon arrival, and the situation has become unsustainable.
Q: What is the central message you want to convey to the viewer?
A: That mass migration from Africa has become a lose-lose situation. They are not coming as skilled workers but as people entering social welfare systems. At the same time, migrants realize they are no longer welcome.
Q: How do you view the integration of people from Islamic countries?
A: I have opposed migration from such countries for years. It changes our demographic composition. Like France and Britain, we risk becoming majority Muslim one day. I do not accept this. Our democracy, legal order, and culture are under threat. I am not against Muslims—I respect freedom of religion—but anyone living here must respect our rules.
Q: How do you assess current immigration policies in the US and Europe?
A: Trump kept his promises: he closed borders and deported millions, even those who had worked there for years. In Los Angeles, where I recently visited, many businesses are closing because they no longer have staff—the Mexicans do the jobs no one else wants. On the other hand, the Biden administration opened the borders and accumulated debt. Here in Europe, we see similar mistakes.
Q: How were the film “Run” received by audiences and critics?
A: Very positively. It was recently sold to Paramount+ in the US and is available on Apple, Amazon, and Google Play. Actors like Amanda Plummer and Barkhad Abdi were enthusiastic about the script and participated without hesitation. Abroad, the perspective on the topic is more realistic—in Germany, you are easily labeled a Nazi if you dare speak out.
Q: Are you considering trying state funding again for future projects?
A: I’ve tried over the last ten years without success. The system has created a closed loop where most German films generate no revenue but are entirely funded by taxpayers. I finance myself, from the earnings of my previous films that play worldwide.
